英国作家安吉拉·卡特在她的文学创作中致力于挑战传统的二元对立的两性关系。本书选取卡特的三部作品《霍夫曼博士的邪恶欲望机器》（1972），《新夏娃的激情》（1979）和《马戏团之夜》（1982），探讨卡特怎样通过在作品中对现实和男性/ 女性的主体性进行消解和重建，以体现其对父权制所定义的两性关系进行质疑和重建的主张。
现为重庆师范大学外国语学院副教授，硕士生导师。上海外国语大学英美文学博士，英国莱斯特大学访问学者，重庆市英美文学教学团队成员。发表学术论文20余篇，包括在CSSCI等核心刊物上发表的论文7篇，主持省部级项目一项。
Abstract
Introduction
1.Angela Carter's Literary Creation
2.Literature Review
3.Theoretical Basis for the Research
4.Framework of the Book
Chapter One Subversion of Reality:The Metafictional Reality
1.Nebulous Time
2.Reality as Cyborgs
3.Reality Reconstructed by Feminine Narratives
Chapter Two Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory
1.The Passive, Static Female Images
2.From the Whore to the Angry Woman
3.The Bird Woman:A New Woman in the New Century
Chapter Three Subversion of Male Subjecthood:From the Desirer to the Lover Abstract
Introduction
1.Angela Carter's Literary Creation
2.Literature Review
3.Theoretical Basis for the Research
4.Framework of the Book
Chapter One Subversion of Reality:The Metafictional Reality
1.Nebulous Time
2.Reality as Cyborgs
3.Reality Reconstructed by Feminine Narratives
Chapter Two Subversion of the Stereotyped Womanhood:From Virgin Whore to Winged Victory
1.The Passive, Static Female Images
2.From the Whore to the Angry Woman
3.The Bird Woman:A New Woman in the New Century
Chapter Three Subversion of Male Subjecthood:From the Desirer to the Lover
1.The Male Subjeethood of Infernal Desire
2.From the Subject of Desire to the Desired Object
3.The Lover: Construction of the New Male Self
Conclusion
Bibliography
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